Last time we asked Kawe Weissi-Zadeh of Westfalia Miniatures some questions about his company and halfmen Kickstarter. This time we put Agema Miniatures‘ Greg McBride to the question and ask him about his early wargaming career, Agema’s genesis and his plans for the company’s future.
Hastati spargunt hastas. Fit ferreus imber.
(Enn. Ann. 8.281)
We are truly spoiled for choice these days if it comes to high quality 28mm Republican Romans and their enemies. They not only come in ‘heavy lead’, for instance Relic Miniatures’ offerings, but Victrix recently added to existing ranges with their injection plastic Punic Wars range. All these ranges have one thing in common: They are all more or less heroic scale, some more on the ‘chunky’ side, others with more realistic proportions.
Agema Miniatures, a small company based in the United Kingdom, could be called the Minden Miniatures of ancient ranges. They are to my knowledge the only company that provides Republican Romans and Carthaginians with such realistic proportions and an almost classical beauty to their sculpts. Notably they offer injection plastic, metal and resin miniatures, combining the advantages of all three materials. Reason enough to review their plastic and resin Republican Romans range, conversion kits to create Hannibal’s Veterans and a selection of their metal character models.
This three-part review will first focus on the scope of the range to date, sculpting quality, poses, casting quality, historical accuracy, conversion potential, customer service and value for money. In the second instalment we put Agema Miniatures’ Greg to the question. Finally in part three I will present painted examples with some notes on the colours and techniques used.
Ageinst him where he sat
A goodly Elme with glistring grapes did growe: which after hee
Had praysed, and the vyne likewyse that ran uppon the tree:
But if (quoth hee) this Elme without the vyne did single stand,
It should have nothing (saving leaves) to bee desyred: and
Ageine if that the vyne which ronnes uppon the Elme had nat
The tree to leane unto, it should uppon the ground ly flat (Ov. Met. 14.661-665).
Publius Ovidius Naso (43 BCE to 17/18 CE) is famous for his love poems (Amores) and his mythological narrative Metamorphoses. In the short piece above taken from the latter work he describes casually a then very common form of viticulture and uses it as a metaphor for marriage. He already uses this simile in his Amores in the well-known phrase “Elmes love the Vines, the Vines with Elmes abide” (Ov. Am. 2.16.41). The relationship of vine and elm tree (or growing wine on trees as a support in general) is a long-standing one and continued in Italy well into the 20th century (cf. Fuentes-Utrilla, López-Rodríguez & Gil, 2004).
Nowadays this form of viticulture is very uncommon, but nevertheless sparked my interest. More importantly it also spawned a new project – the very raison d’être for this post: a modular skirmish board set during the Second Punic War featuring a villa rustica complete with vineyard, olive grove and orchard.
In a multi-part tutorial I will guide you through the creation process from the early planning stages to the final piece. In this first part we will look at the design of the modules, historical considerations when it comes to depicting a Roman vineyard complete with villa rustica and finally we will also have a look at some Agema miniatures to provide some suitable skirmish forces.